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The Collections | Sculpture and Applied Arts
The sculptures and applied arts in the Barber collection range in date from the 14th century BC until the mid-20th century. They come from a broad range of non-Western cultures, including the Far East, Middle East and Africa, as well as Europe from the 6th century BC century onwards. The medieval holdings include ivories, coins, reliquaries and enamels, with an monumental English alabaster of about 1400, The Coronation of the Virgin, forming a highlight. The collection of sculpture also includes a very fine group of small bronzes dating from the Renaissance onwards. Amongst three by Degas is the lively Dancer Ready to Dance, the Right Foot Forward, whilst Rodin’s life-size figure, titled The Age of Bronze (right), greets visitors to the galleries at the foot of the stairs. A small group of portrait busts complements the paintings, including Roubiliac’s brutally honest image of Alexander Pope. The exceptional collection of Coins and medals, which form a distinct category of sculpture, are treated separately.
The collection of sculpture and applied arts has been neglected in recent years and the Barber is planning to focus its research efforts here in the coming months. Many of the items will be redisplayed as well. Textiles actually formed a part of Lady Barber’s own bequest, including lace, needlework and tapestries, and these too will receive closer attention in the future.